Ms. Morrison’s fourth novel, “Tar Baby” (1981), deals explicitly with issues of racial and class prejudice among black people. Set on a Caribbean island, it chronicles the love affair of a cosmopolitan, European-educated black woman with a rough-and-tumble local man.
Her other novels include “Jazz” (1992), set in 1920s New York; “A Mercy” (2008), which divorces the institution of slavery from ideas of race by setting the narrative in the 17th century, where servitude, black or white, was apt to be determined by class; and “Home” (2012), about a black Korean War veteran’s struggles on returning to the Jim Crow South.
Ms. Morrison’s volumes of nonfiction include “Playing in the Dark: Whiteness and the Literary Imagination” (1992) and “What Moves at the Margin: Selected Nonfiction” (2008, edited by Carolyn C. Denard).
[Read Toni Morrison’s writing on black feminism, Disneyland and more.]
She wrote the libretto for “Margaret Garner,” an opera by Richard Danielpour that received its world premiere at the Detroit Opera House in 2005 with the mezzo-soprano Denyce Graves in the title role.
In 1989, Ms. Morrison joined the faculty of Princeton, where she taught courses in the humanities and African American studies, and was a member of the creative writing program. She went on emeritus status in 2006.
Ms. Morrison is survived by her son Harold Ford Morrison and three grandchildren. Another son, Slade, with whom she collaborated on the texts of many books for children, died in 2010.
Her other laurels include the National Humanities Medal in 2000 and the Presidential Medal of Freedom, presented in 2012 by President Barack Obama. The Toni Morrison Society, devoted to the study of her life and work, was founded in 1993.