Esquire’s Editor Is Out in Reshuffling at Hearst Magazines


Jay Fielden is leaving his position as Esquire’s editor in chief, a job he held for three years, Hearst Magazines announced Thursday. The change at the venerable men’s publication, which started in 1933, is part of a reshuffling under Troy Young, who became president of the publisher last July.

“I have felt the lure of new possibilities,” Mr. Fielden said in a statement.

His successor has not been named. Mr. Fielden added that he would stay at the company to complete the rollout of Esquire’s new issue, which features several stars of the next Quentin Tarantino movie on its cover; but on Thursday morning he posted a selfie on his Instagram account that showed him stepping out of the Hearst Tower in Manhattan. Dressed in a summery get-up and sunglasses in the photo, he is carrying a Louis Vuitton suitcase and various totes.

Mr. Fielden, 49, had a tough act to follow. His predecessor, David Granger, won 17 National Magazine Awards during his 19 years in charge. But the magazine failed to win an Ellie statuette while Mr. Fielden held the top job.

Esquire also lost out on a high-profile story — an investigative article on accusations of sexual misconduct against the Hollywood director Bryan Singer — in a very public way during Mr. Fielden’s tenure.

Reported over the course of a year by two of the magazine’s regular contributors, Maximillian Potter and Alex French, the story went through a thorough editing and legal-vetting process at Esquire, the writers said, before Hearst executives “killed” it. It ended up published by The Atlantic in January.

One of its authors said the loss of the story to another publication did not sit well with Mr. Fielden. “That weighed on him,” Mr. Potter said.

A Hearst spokeswoman said, “We do not discuss our editorial process, but we stand by the decision we made based on our editorial standards.”

Mr. Fielden, a born and bred Texan, worked at a Ralph Lauren boutique in San Antonio before going into journalism. He got his training at Condé Nast, filling various posts at The New Yorker before becoming an arts editor at Vogue and the top editor of Men’s Vogue, which folded in 2008.

In 2011, he decamped to Hearst as the editor in chief of Town & Country. Since taking the Esquire job, he has remained on the Town & Country masthead as editorial director. He will also lose that title as part of his departure from the company.

Hearst Magazines said in a statement that Mr. Fielden would continue to contribute to Esquire and Town & Country. “We thank him for his leadership and contributions to Hearst Magazines over the years and wish him the best with his future plans,” the statement said.

For decades, Esquire was a bible for the sporty American male with a taste for bourbon and literary heavyweights like Truman Capote, Raymond Carver, John Dos Passos, F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer, David Foster Wallace and Tom Wolfe, all of whom appeared in its pages.

Mr. Fielden set out to update the magazine’s sensibility. “There’s no cigar smoke wafting through the pages,” he told The New York Times a few months after taking the job, “and the obligatory three Bs are gone, too: brown liquor, boxing and bullfighting.”

The editor circulated easily during fashion weeks in Milan and Paris among the top designers and fashion-industry moguls whose brands provided Esquire with much of its ad revenue.

As the editor of a men’s title during the rise of sexual fluidity and the #MeToo movement, he navigated sexual politics in a manner different from his predecessors. The last edition of Esquire’s “Women We Love” issue, an annual package featuring a cover photo of a scantily clad actress, appeared under Mr. Fielden’s predecessor.

That franchise has continued to appear on the Esquire website — the most recent installment was headlined “25 Hot Videos from the Women We Love” — but Mr. Fielden’s purview did not include oversight of Esquire.com.

With online media on the rise and print going out of style, he was left with the challenge of managing a product in decline. Under Mr. Fielden, the number of yearly Esquire issues dropped to eight from 10.



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